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The Best Winning Writers in Hockey History

Much has been written about the 2026 Stanley Cup champion Carolina Hurricanes and their unusual front office. General manager Eric Tulsky is an old hockey blogger, as is assistant general manager Tyler Dellow. Several people who were 20 years ago called basement-dwelling hacks will now receive Stanley Cup rings. Three of them, Dellow and scouts Dennis King and Ellen Etchingham, are familiar names to old Edmonton Oilers bloggers like me. Of all their achievements, getting Oilers fans to cheer for Literally the Carolina Hurricanes may have been the most improbable.

If you want to read about this winning combination of big-brained analytics and big-bodied athletic excellence, Greg Wyshynski has written that article. The statistics revolution that came out of hockey blogs in the beginning of the century, a disproportionate number of whom were fans of the Oilers, is worth a book more than an article, but that can probably only be written once they are no longer working for pro hockey front offices and may again shoot their mouths off. To be an Oilers fan active online in the 2000s was more like the stereotype of attending a great university than any university I’ve been to: it was surrounded by people who, as a matter of course, without making a big deal about it, were changing how the hockey world thought and operated. Even for those of us who were not really contributors, it is in hindsight amazing to have been part of it: like going down to the pub with the mates and discovering 20 years later that you were hanging around the Inklings.

Setting aside the revolutionary concepts, there is now a new record for the best writer, in fact the best few writers, to win a Stanley Cup. Sadly, if you weren’t there you have to take my word for this, because these great writers wrote excellent prose on blogs that are now, by and large, offline. You can dig through the Internet Archive for bits of it, but there is no corpus, no The Hot Oil Hockey Abstract for $5 at the used bookstore. But do take my word: the reason these men and women attained a following with nothing more than their keyboards was that they made complicated, controversial concepts understandable, readable, and eventually inevitable to anybody who could approach them with a slightly open mind. They write well. That your Tulskys, your Dellows, your Kings, your Etchinghams (to name only a few of the Hurricanes) are successful in the NHL is fantastic in every way except that now we civilians no longer see what they can do. Only the bad things on the Internet last forever; good ones vanish within the lifetimes of the people who made them.

The previous, and probably still the canonical, Best Stanley Cup Champion Writer is Ken Dryden, whose The Game has been in print for more than thirty years and is still hallowed among the sort of person who hallows that sort of thing. Dryden was, in every way, more of what you expect a hockey writer to be. He did not get into the game because of his writing; he got into the game and afterwards he wrote about it. The Game stands out because, up until the blog revolution, most hockey writing was fairly bad. You had a dichotomy between journalists, who were sometimes decent writers but obviously never won, and athletes, who could be winners but when it came time to write dictated their memoirs over a few bottles of wine to one of the journalists. Such mailed-in memoirs can rise to the level of “pretty good.” Dryden was distinguished by the fact that he cared about writing himself, and had a talent for it.

We naturally lean into the idea that there are two types of people, jocks and nerds. Wyshynski’s article riffed on it, and when comparing Eric Tulsky to Rod Brind’Amour anybody would. However, the high school stereotype of the “jock” as a cemented-headed moron is one that no healthy individual can carry much beyond high school. Ex-elite athletes in team sports, taken all in all, are probably more interesting and better storytellers than the general population, for elite team play selects for brains and the ability to make people like you. That’s not a rule, but it’s a surprisingly accurate guide.

Other sports have produced a bevy of first-class athlete writers. Here is one stereotype that seems to hold up: the slower the sport, the better the writer-athletes become. Adventurers, explorers, and the like are frequently excellent writers, because boy they have time. First-class cricket, where a match lasts a few days, once got most of its greatest writers from its former players. Neville Cardus stood out for being an exception to the rule. Baseball, which is quicker than cricket but a lot slower than hockey, has also produced its share. The great baseball memoir, Jim Bouton’s Ball Four, was written by a player who wasn’t much but did win a World Series ring with the 1962 Yankees. Several baseball managers, all Jocks with the capital J, wrote well-regarded books. If you called Leo Durocher or Earl Weaver a nerd they’d bust your teeth in, but their books are still read long after their managerial insights have fallen from the state of the art.

Our hockey-bloggers-turned-champions are more like Bill James, not only a great statistician but maybe the greatest baseball writer of all, who made so much excellence for so long he just had to go win a few World Series rings in the Boston Red Sox front office. Some of those Hurricanes nerds were actually good hockey players by normal standards, but not pros. However, they are separate from James, and more like Dryden, in that if writing was ever what they did for a living, it wasn’t much of a living and it wasn’t for long.

As an athlete Dryden was unusual, and while he might say that he projected the image of being unusual, some of it was objectively true. He loved hockey, but he never really seemed to like it, and quit for good very near the top of his game. A man who’d play for free, but once he got paid took it not only as a business but a disagreeable one. In the grand old days of amateur sport, Dryden could have been the amateur par excellence, but the tradition of adult, elite amateur sport was never as sturdy an edifice in Canada as it had been in England. Dryden did his best, playing college hockey at an Ivy League school. He went pro before completing the full four years, but got a degree from McGill while playing with the Canadiens, and while holding out for an entire season he pursued law, one of quite few men to lose money by becoming a lawyer. His famous pose, upright leaning on his goalie stick with both hands, has been immortalized in countless prints and a statue in Saint-Laurent; he looked like he was thinking about something else.

In the end Dryden had his cake and ate it: won Cups, made the Hall of Fame, is universally regarded as one of the best goalies in hockey history, wrote a best-seller, became a Cabinet minister, and died garlanded in laurels from the cultural and economic elite. That Dryden was an excellent goalie, give-or-take the 1972 Summit Series, is indisputable. And it is a fact that, up until bloggers started getting rings, Dryden probably deserved his reputation as the man who best combined literary excellence with knowing how to win at hockey.

It is not at all that Dryden was a bad writer, or The Game is a bad book. Reading it for the first time in many years, I was surprised how much I enjoyed it. But it can be a slog, because you see how hard Dryden is trying to Be a Real Writer. He worked hard, extremely hard, to be a great goaltender, and he never really looked like it. He worked hard, extremely hard, to write a great hockey book, and boy you can tell. The attempts to draw his teammates into characters, the digressions about Montreal politics, the attempt at off-the-cuff literary and scholarly references that do not come across off-the-cuff in the least; you never quite flinch, but it is as natural and unforced as water running uphill or the California Seals putting eight goals past him.

There are so many lines, or rather half-lines, that are good enough to see what the fuss is about:

Although I must have seen [Larry Robinson] in two training camps before, I have no memory of him until his first NHL game in Minnesota1. It was early January 1973, and with injuries to many of our defensemen, Robinson was called up from the Voyageurs. When I walked into the dressing room before the game, there he was, already half dressed, looking taller, more rawboned, more angular than he does now. With our defense depleted, seeing Robinson didn’t make me feel any better. But he played a remarkable game, poised, in solid control defensively, moving surprisingly well, with only a hint of lanky awkwardness. And what I recall most vividly, a goalie’s memory, was that he blocked shots. (It wouldn’t last long. After the first burst of rookie’s enthusiasm wore off, he became like the rest.)2

The punchline takes too long to arrive but arrive it does, and then Dryden goes on for several pages dissecting his view of Robinson’s deterioration as a player, which is essentially mental, almost spiritual, a distortion of the essential balance between destructive defense and well-chosen offense as Robinson skated on reputation in the former and cheated towards the latter. Dryden was as qualified to eye-test Larry Robinson as anyone who ever lived, and even if you disagree, dud scouting does not a dud book make, But to read Dryden one might get the impression that Robinson had a short, brilliant prime between 1976 and, say, 1978, before turning into Eric Brewer, instead of being a highly effective blueliner into his late 30s and cresting down what appears an absolutely normal aging curve. I doubt Dryden would have accepted that proposition in so many words, yet he uses so many words, he tries so hard to express his inside opinion in a crafted, cerebral report, that one has to know Larry Robinson’s career already to put Dryden’s ideas in context.

Immediately following this is Dryden describing his emotions in the 1971 Bruins playoff series that won his reputation (and probably his Conn Smythe, since nobody counted beating the North Stars in the final as much more than a formality); an emotional and intense but sparsely-written series of bullet points that is the best prolonged stretch of the book. Dryden, he tells us, when he played pond hockey, never imagined that he was Ken Dryden, NHL star, but Gordie Howe or Frank Mahovlich or Terry Sawchuk or Glenn Hall; on pages 121 and 122, you get a moment to imagine you are Ken Dryden.

Perhaps Dryden’s tale of Guy Lafleur says it all. Lafleur was sans pareil as Dryden, who had eyes like the rest of us, fully appreciated. A discussion of Lafleur’s idiosyncratic practice habits, developed as a boy starving for ice time, segues into how the mechanized, suburbanized game, with its many leagues and lack of ponds, has stifled the creativity of the hockey player. Well then what of Sidney Crosby, or Connor McDavid, or Steve Stamkos, or any of them? Certainly, such players are few these days; such players were always few. None of them are quite Guy Lafleur, but then none of the others were quite Connor McDavid; the Flower was the Flower, the true greats are always unique or close to it. Pavel Bure, the nearest thing to a Lafleur in my era, grew up in as regimented a structure as has ever existed. But the thesis that suburbanization and organization has stripped away creativity is something Dryden can write about, in thoughtful length, without ever having to prove it. It can show that he thinks, that he is in fact erudite, and so it is in the book.

Dryden waxes romantic about Lafleur as a player too, but you’re allowed to be that way about Guy Lafleur. The romance is not out of place, not when Dryden is talking about Lafleur or the Forum or the Gardens of his childhood, or for that matter “the Game,” that thing that is part of playing elite hockey but apart from it, those unnameable sensations when you and twenty-two people you spend all year with get it done. An author is permitted to be romantic; in fact he ought to be. But for Dryden, more often than not, it feels like straining after an effect. Whether Ken Dryden was not really a man who viewed life through those lenses, but felt as an author he had to be, or whether he simply fell flat, I don’t know. It is perhaps significant that his most successful character portrait is that of Scotty Bowman, the hockey-aromantic coach of the Habs at the end of Dryden’s career. Bowman was put on this Earth with the vocation of winning hockey games; Dryden less so, very good at it though he was, and maybe that gap did his perspective some good. Dryden wrote a biography on Bowman which I have never read but would now quite like to.

Or maybe not. Within all the excellence, all the fly-on-the-wall little literary triumphs and the interesting introspection, Dryden then goes off on some tangent about the nature of celebrity or the history of hockey or French-English relations in Montreal and it goes on for pages and pages signifying nothing. Even if you don’t know all of it, and surely everybody will learn something, it is out of place, it is focus-less, it demonstrates only that Dryden knows stuff, it does not fill in context or atmosphere, it just is.

Thus, Ken Dryden is no longer the best-writing Stanley Cup champion in history, because while Dryden was an on-ice iconoclast, an enthusiast for novelty, an opponent of fighting and all forms of semi-legalized dirty play, a proponent of high-speed puck movement and a devotee of what was then “the Soviet style,” as an author he is the most traditional of all. Any one of 200 hockey guys could have written a worse version of this book; the most hidebound journalist could read it with no more than the occasional quibble. Dryden’s feelings about hockey might feel like they were, at the time, avant-garde, but The Game was published in 1983. The WHA Winnipeg Jets, and the Hot Line, were old hat when the book was written. Bryan Trottier, Mike Bossy, Denis Potvin, and the New York Islanders are the background of the narrative, playing that stirring puck-moving hockey Dryden wanted but with an edge that he didn’t. The Edmonton Oilers only arrived at time of publication, but they were on the way beforehand, Wayne Gretzky had signed his personal services contract with Nelson Skalbania, the winds had already shifted.

In trying to look ahead, Dryden was looking sideways or a little behind, locked in childhood and the 1972 Summit Series3. In the Carolina Hurricanes office, right now, sleeping off week-long hangovers, are people who really did look ahead, and communicated what they were seeing with clarity and incision, not because they were getting up to write The Great Hockey Blog but because they saw it, and if people refused to see it then it had to be broken down until they did. Some were writers who captured the romance of hockey because they really are romantics, and it showed up, even if it was on some blog that is now forgotten, and the post before theirs was about how cute Marty Reasoner was. Not the sort of writing which leads to 30th-anniversary editions with introductions by Bill Simmons, but that says more about the world than about the writing.

The Game is, let me say again, a good book; better than I remembered. It perhaps deserves to be devoured at casual speed over a beer rather than a deep read looking for Greatness. Other author-athletes feel too dignified to tell such tales, or like they’re breaching confidence, by giving us vignettes of what their teammates were like in the locker room, with their pranks and their pratfalls. Dryden does not, and yet is tasteful about sharing his inside view in a way that Jim Bouton wasn’t. The worst sins are bad playing habits, endless French-Canadian obscenity, and having beers on the bus; if anybody did a line of coke before going to cheat on his wife, Dryden isn’t going to be the one to say so, but you get the atmosphere all the same. You aren’t given the text to read between the lines but the lines are wide enough that you know there must be something there, that this is not by any means a hagiography of an all-time great team. It’s a notable achievement, a combination of candour and discretion, that gives The Game unique value.

If that’s all the book was, 150 pages or so of the little things in the life of an NHL superstar, The Game might have been as good as everyone says it is. As it is I’m glad it’s there, and the pointless parts are telegraphed clearly enough that one may skip them quite happily. It’s still worth reading, just like Bob Gainey, who we now understand to be less effective than people thought, was still a good hockey player worth having. But hockey writing, like the game itself, has moved on, and glad we should all be.

  1. Robinson’s first NHL game was actually at home against Minnesota, but this is the sort of error one can forgive in the pre-Hockey Reference era.
  2. Ken Dryden, The Game (Toronto: HarperCollins, 2013), 108.
  3. Dryden, infamously, played badly in 1972: the difference between Dryden and Tretiak was a major reason the series was 4-3-1 instead of, say, 6-2-0. He knows, in the book, that he played the Soviets badly. You have to wonder.

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